<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:media="http://search.yahoo.com/mrss/"><channel><title>Pierre Taki on Mirada Asiática</title><link>https://miradasiatica.com/pierre-taki/</link><description>Recent content in Pierre Taki on Mirada Asiática</description><generator>Hugo -- gohugo.io</generator><language>es-es</language><atom:link href="https://miradasiatica.com/pierre-taki/index.xml" rel="self" type="application/rss+xml"/><item><title>Quiso proteger, no supo hacerlo — Crítica de The Last Blossom</title><link>https://miradasiatica.com/post/the-last-blossom/</link><pubDate>Thu, 23 Jul 2026 00:00:00 +0000</pubDate><guid>https://miradasiatica.com/post/the-last-blossom/</guid><enclosure url="https://miradasiatica.com/img/heroes/the-last-blossom.jpg" length="0" type="image/jpeg"/><media:content url="https://miradasiatica.com/img/heroes/the-last-blossom.jpg" medium="image"/><description>&lt;span class="rating" aria-hidden="true">★★★½☆&lt;/span>&lt;span class="sr-only">Nota: 3,5/5&lt;/span>
&lt;p>&lt;em>La redención es uno de los negocios más prósperos del cine, y Baku Kinoshita entra en él con un yakuza moribundo y una flor insolente.&lt;/em>&lt;/p></description></item></channel></rss>